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Artists in Conversation: Margaret Crowley and Karen Reimer

Thursday, January 30 , 3:00 pm 4:00 pm CST

Exhibiting artist Margaret Crowley will engage in a public conversation with Karen Reimer, an artist based in Chicago. The event will be followed by a reception.

Hazard premieres new paintings and sculptures addressing the industries and textures of “health, wellness, and pain management” by Chicago-based artist and Illinois State University alum Margaret Crowley. She explores the effects of manual labor and how the repetition of overuse mirrors the repetition of repair. The exhibition title alludes to occupational hazards and serves as a warning.

Crowley frequently references family labor histories, whether her father’s background as a welder or the decades her mother worked as a hairstylist. Following nearly a year of accompanying her mother to physical therapy appointments meant to aid in her recovery from an occupational injury, Crowley began translating those experiences into gouache-on-silk paintings. Rather than depicting a figure or scenes of the clinic, the artist explores, in her words, the “particularities of repeated visits to a space.” Examples include the ubiquitous timers that keep track of the bodies’ necessary movements toward healing, a cheerful row of pet-portrait snapshots that adorn the wall, the radio that provides constant background noise and rhythms for the staff and clients, a therapist’s informative badge with decorative elements added to its lanyard, and every tiny detail of the anti-fatigue floor mats that aid in prolonged standing. Multiple works were inspired by the therapists’ mobile carts that overflow with tools used to manipulate and heal, often via close, precise encounters between two bodies. Meanwhile, her newest work takes the form of an exercise strap, which is often used in the appointments for stretching and increasing flexibility. In Crowley’s version, the strap is 4-5 times the typical length, made of silk, populated by small paintings, and draped through the exhibition space.

Crowley uses her mother’s MRI scans to introduce the exhibition. She sees them as “containers for decades of work, relationships, and repetition.” She continues, “The MRI feels like a prompt, or an origin point, for the whole project.” Throughout her work, Crowley asks why we subject our bodies to these stresses, particularly in the name of a “work ethic,” and what tolls they take on us individually and collectively.

Margaret Crowley: Hazard is organized by Kendra Paitz, University Galleries’ director and chief curator. This exhibition and programming are supported by University Galleries’ grant from the Illinois Arts Council. Workshops and field trip reimbursements are supported by the Lori Baum and Aaron Henkelman University Galleries Community Fund.

Artist biography

Margaret Crowley (b. 1987, Ottawa, Illinois) is a Chicago-based artist. Her work has been exhibited at the Reva and David Logan Center for the Arts, University of Chicago; Devening Projects, Chicago; Hyde Park Art Center, Chicago; Chicago Artists Coalition; Cue Foundation, New York City; and Área: Lugar de Proyectos, Caguas, Puerto Rico. Crowley has received the Jarislowsky Foundation’s Emerging Artist Award, which included a residency at the Banff Centre for Arts and Creativity in Banff, Canada. She has also been awarded multiple individual artist grants from the Illinois Arts Council and a residency at Ox-Bow School of Art and Artists. NewCity Chicago named her one of Chicago’s 10 Breakout Artists of 2023. Crowley is the co-director of Produce Model Gallery, Chicago. She received her M.F.A. from University of Chicago, M.A. from Eastern Illinois University, and B.S. from Illinois State University.

Free

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