Milner Library

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.

View Jason Reblando’s portfolio edition of New Deal Utopias and work from his series documenting planned communities that were part of the U.S. federal government’s Resettlement Administration during the Great Depression.

Through performance, textile sculpture, and embellished drawings, he examines feelings of failure, nonlinearity, and humor, asking the audience to question their own identity as artist Eric Anthony Berdis confronts his.